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Experiences in Challenged training

After the challenge training

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©VMC Global Japan

connect with challenges

ちーこ4.jpg

In April 2022, I attended a one-day seminar at Kofukai Hospital Morino Theater. I spent a very fulfilling time in a wonderful hall, and the day flew by.

Even people who meet for the first time can't help but think, "You've known me for a long time, right? We were connected somewhere, right?"・・・read more

嘉数知子

Emiko Haruma

Lives in Fukuoka City, Fukuoka Prefecture

kids text effect

EPSON001.JPG

I created a text for learning drum circle facilitation for kids as a project of corona misfortune.
The children said, “It’s fun!
・・・read more

代表ロゴ.jpg

VMC Global Japan

​ Planning and Operation Department

connect with challenges

増田美咲1

In April 2022, I attended a one-day seminar at Kofukai Hospital Morino Theater. I spent a very fulfilling time in a wonderful hall, and the day flew by.

Even people who meet for the first time can't help but think, "You've known me for a long time, right? We were connected somewhere, right?"・・・read more

増田美咲

Emiko Haruma

Lives in Fukuoka City, Fukuoka Prefecture

connect with challenges

春間恵美子1.jpg

In April 2022, I attended a one-day seminar at Kofukai Hospital Morino Theater. I spent a very fulfilling time in a wonderful hall, and the day flew by.

Even people who meet for the first time can't help but think, "You've known me for a long time, right? We were connected somewhere, right?"・・・read more

春間恵美子.jpg

Emiko Haruma

Lives in Fukuoka City, Fukuoka Prefecture

Excited about deep learning and expanding the community 

ちーこ4.jpg

I first attended VMC Playshop Japan in 2010. A year later, I experienced the Great East Japan Earthquake and became involved in efforts to support victims. In one of the volunteer activities, the salon activity, I heard many voices saying that they could not get used to the new environment such as temporary housing and group relocation. I thought that the "drum circle" could be used to create exchanges and communication in areas where the residents' association organization had not been established, and I took challenge training, including mentor training, from 2012 to 2017 to learn more.
 
At the beginning, I wasn't familiar with the play shop where various people from all over the country gathered, and I just hesitated to join the circle.
 
Why did you repeat the course?
There are three reasons.

First, I wanted to improve my facilitation skills and learn more about the concept. Arthur's theory is evolving and there is new learning every time you participate.
I participate with excitement every time.

Second, I thought that the theory of drum circle facilitation advocated by Arthur Hull is not only the DCF technique, but also the idea of the role of the facilitator (serving the community) can be put to good use in life. .. From the standpoint of managing volunteer activities, I was working closely with people with the motto "What I can do now", so the spirit of "teaching without teaching" can be useful in supporting exhausted volunteer supporters. I was able to do it.

And third, the playshop participants are those who "serve" Arthur's teachings.
In the days we spend together, we can connect like old acquaintances, and sometimes meet wonderful companions who praise and suggest.

The playshop itself has become a small community, and with each round my community is expanding. I am looking forward to deepening my learning and expanding my community.
 

Junko Chiba / Lives in Miyagi Prefecture

Occupation: DC Facilitator

​​Piano rhythm instructor

嘉数知子
嘉数知子

Excited about deep learning and expanding the community 

増田美咲1

I first attended VMC Playshop Japan in 2010. A year later, I experienced the Great East Japan Earthquake and became involved in efforts to support victims. In one of the volunteer activities, the salon activity, I heard many voices saying that they could not get used to the new environment such as temporary housing and group relocation. I thought that the "drum circle" could be used to create exchanges and communication in areas where the residents' association organization had not been established, and I took challenge training, including mentor training, from 2012 to 2017 to learn more.
 
At the beginning, I wasn't familiar with the play shop where various people from all over the country gathered, and I just hesitated to join the circle.
 
Why did you repeat the course?
There are three reasons.

First, I wanted to improve my facilitation skills and learn more about the concept. Arthur's theory is evolving and there is new learning every time you participate.
I participate with excitement every time.

Second, I thought that the theory of drum circle facilitation advocated by Arthur Hull is not only the DCF technique, but also the idea of the role of the facilitator (serving the community) can be put to good use in life. .. From the standpoint of managing volunteer activities, I was working closely with people with the motto "What I can do now", so the spirit of "teaching without teaching" can be useful in supporting exhausted volunteer supporters. I was able to do it.

And third, the playshop participants are those who "serve" Arthur's teachings.
In the days we spend together, we can connect like old acquaintances, and sometimes meet wonderful companions who praise and suggest.

The playshop itself has become a small community, and with each round my community is expanding. I am looking forward to deepening my learning and expanding my community.
 

Junko Chiba / Lives in Miyagi Prefecture

Occupation: DC Facilitator

​​Piano rhythm instructor

増田美咲
増田美咲

Excited about deep learning and expanding the community 

春間恵美子1.jpg

I first attended VMC Playshop Japan in 2010. A year later, I experienced the Great East Japan Earthquake and became involved in efforts to support victims. In one of the volunteer activities, the salon activity, I heard many voices saying that they could not get used to the new environment such as temporary housing and group relocation. I thought that the "drum circle" could be used to create exchanges and communication in areas where the residents' association organization had not been established, and I took challenge training, including mentor training, from 2012 to 2017 to learn more.
 
At the beginning, I wasn't familiar with the play shop where various people from all over the country gathered, and I just hesitated to join the circle.
 
Why did you repeat the course?
There are three reasons.

First, I wanted to improve my facilitation skills and learn more about the concept. Arthur's theory is evolving and there is new learning every time you participate.
I participate with excitement every time.

Second, I thought that the theory of drum circle facilitation advocated by Arthur Hull is not only the DCF technique, but also the idea of the role of the facilitator (serving the community) can be put to good use in life. .. From the standpoint of managing volunteer activities, I was working closely with people with the motto "What I can do now", so the spirit of "teaching without teaching" can be useful in supporting exhausted volunteer supporters. I was able to do it.

And third, the playshop participants are those who "serve" Arthur's teachings.
In the days we spend together, we can connect like old acquaintances, and sometimes meet wonderful companions who praise and suggest.

The playshop itself has become a small community, and with each round my community is expanding. I am looking forward to deepening my learning and expanding my community.
 

Junko Chiba / Lives in Miyagi Prefecture

Occupation: DC Facilitator

​​Piano rhythm instructor

春間恵美子.jpg
春間恵美子
キッズテキスト

Excited about deep learning and expanding the community 

EPSON001.JPG

I first attended VMC Playshop Japan in 2010. A year later, I experienced the Great East Japan Earthquake and became involved in efforts to support victims. In one of the volunteer activities, the salon activity, I heard many voices saying that they could not get used to the new environment such as temporary housing and group relocation. I thought that the "drum circle" could be used to create exchanges and communication in areas where the residents' association organization had not been established, and I took challenge training, including mentor training, from 2012 to 2017 to learn more.
 
At the beginning, I wasn't familiar with the play shop where various people from all over the country gathered, and I just hesitated to join the circle.
 
Why did you repeat the course?
There are three reasons.

First, I wanted to improve my facilitation skills and learn more about the concept. Arthur's theory is evolving and there is new learning every time you participate.
I participate with excitement every time.

Second, I thought that the theory of drum circle facilitation advocated by Arthur Hull is not only the DCF technique, but also the idea of the role of the facilitator (serving the community) can be put to good use in life. .. From the standpoint of managing volunteer activities, I was working closely with people with the motto "What I can do now", so the spirit of "teaching without teaching" can be useful in supporting exhausted volunteer supporters. I was able to do it.

And third, the playshop participants are those who "serve" Arthur's teachings.
In the days we spend together, we can connect like old acquaintances, and sometimes meet wonderful companions who praise and suggest.

The playshop itself has become a small community, and with each round my community is expanding. I am looking forward to deepening my learning and expanding my community.
 

Junko Chiba / Lives in Miyagi Prefecture

Occupation: DC Facilitator

​​Piano rhythm instructor

代表ロゴ.jpg
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